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The extraordinary flexibility of the preamp stage and its ability to realistically simulate the multiple preamp stages of modern, high-gain amps deliver punishing chunk tones that retain character and complexity even at extreme settings. Positive Grid BIAS for iPad īIAS tends to favor heavy rock and metal sounds. $20 street in the Apple Store (also available for iPhone) Vintage/clean tones not quite as engaging as modern hard rock and metal sounds. Minimum system requirements: iOS 7 or higher.
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And once you do, you can share them with other BIAS users from within the app, or download thousands of user-created patches. The app makes customizing virtual amps so fun and approachable that it’s hard not to come up with cool new models. Yet there’s nothing off-putting about BIAS’s formidable controls. But players who enjoy tweaking and customizing are likely to be BIAS’s biggest fans. Some players will get everything they need from the presets and never enter edit mode. Additionally, there are two fully parametric EQ stages you can insert anywhere within the virtual circuit. The power amp, transformer, and cab simulation stages are equally versatile.
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The tone stack stage, meanwhile, offers 15 different tone models plus three bands of quasi-parametric EQ. The possibilities are vast-the preamp editor, for example, includes 21 user-adjustable parameters, allowing you to choose virtual tubes, fine-tune the gain structure and simulated biasing, and micro-manage EQ leaving and entering the stage. Selecting one brings up a specialized interface for adjusting its parameters. When you click the gear icon to enter edit mode, a flow-chart-like graphic appears, depicting seven tone-shaping stages. Tones are realistic, detailed, and responsive.īut the factory sounds are only the jumping-off point. The modeling quality is excellent overall. When you select a model, a virtual faceplate appears, offering six controls (gain, bass, middle, treble, presence, and master.) Functions remain fixed for all 36 models. (Positive Grid also makes two hardware interfaces, JamUp Plug and JamUp Plug HD, but BIAS works with any iOS-compatible interface.)īIAS’s home screen browser lets you select amps from nine tone categories: clean, glassy, blues, crunch, high gain, metal, insane, acoustic, and bass, each with four factory models. I tested BIAS on an iPad Air, connecting my guitar via an Apogee Jam interface (which connects via the iPad’s Lightning jack), and also with an IK Multimedia iRig (which plugs into thetablet’s headphone jack). So while BIAS performs a single task, there are few limits to how you might deploy the app. You can, for example, open the amps you create in BIAS within JamUp, or record into GarageBand for iOS via BIAS’s amp modeling. It’s misleading, however, to dwell on the things BIASdoesn’t do, since BIAS supports both Audiobus and Inter-App Audio, two protocols that allow iOS apps to communicate with each other. There are no recording functions, no mixing, and no effects other than simple ambient reverb and noise gating-not even amp tremolo or simulated spring reverb. While the multi-functional JamUp is no slouch in the modeling department, BIAS focuses exclusively on amp modeling, offering a large collection of fine-sounding models of almost unrivaled tweakability. Now Positive Grid dives even deeper into amp modeling with BIAS, a $20 app for iPhone and iPad (sold separately). The $20 JamUp Pro XT provides six virtual amps and 16 effects (and many more if you purchase additional expansion packs for five or ten bucks each).
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JamUp XT, the free version, offers a single amp model and six stompbox simulations. One particularly successful iOS app for guitarists is Positive Grid’s JamUp, a versatile amp and stompbox modeler with added superpowers, such as an 8-track DAW and an audio file player for practicing to mp3s.
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The best iOS music apps provide shockingly good sound, smooth connectivity between apps and devices, and ingenious interfaces that make the most of the multi-touch screen. Most musicians who’ve spent time with an iPad grasp what a gratifying music-making tool it can be, whether you’re just tapping out simple tunes with your thumbs, or refining guitar overdubs for your next album.